The Tick (1994-1996)ĭoug Katsaros wrote the whacked-out jazz-inspired theme for super-hero parody The Tick. The vocals to the poppy throwback are by Noam Kaniel, who you’ll see hanging out with some mighty mutants later on.
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The series has some great animation and a fun theme song by legendary composers and producers Haim Saban and Shuki Levy. Heathcliff (1984-1985)Īnother character that’s had plenty of shows, the comic strip cat got the added bonus of frequently being voiced by vocal genius Mel Blanc. Chicago band Bad City performs the rocking opening theme, “Fight as One,” which articulates the notion of pulling together for a battle it even includes a shout of “Avengers Assemble!” 31. Produced during the run-up to and just after the first film, Avengers: Earth’s Mightiest Heroes mines the rich legacy of comic book stories in a way that’s even more faithful to the books in many places than the movies. If you’re looking for the best adaptation of the Avengers outside of the Marvel Cinematic Universe, it’s right here. Avengers: Earth’s Mightiest Heroes (2010-2013) The jazzy score fits squarely in the animated-noir-hero subgenre, and is sprinkled with the titular mallard’s catchphrases, like “Let’s get dangerous.” 32. A parody of The Shadow, Batman, and other classic heroes, Darkwing Duck routinely fights a rogues’ gallery of bizarre enemies while trying to raise his adopted daughter. “I am the terror that flaps in the night!” Darkwing Duck was an extremely popular series from Disney that debuted in the wake of the “Batmania” that followed the 1989 Batman film. And no, he does not say that he lives in a garbage can.
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The song has been used in some fashion for every iteration of the character since, including the jump to original TV productions in 1960. “I’m Popeye the Sailor Man” was composed in 1933 by Sammy Lerner for the first Max Fleischer Popeye theatrical cartoon. At 679 episodes and counting, it’s one of the most-played themes in prime-time TV history, let alone animation. But the theme that’s probably heard the most is his main title for The Simpsons. The Simpsons (December, 1989-the end of time, apparently)ĭanny Elfman broke big in music as the founder and leader of Oingo Boingo, then transitioned to a long and successful career as a composer for such films as Batman, Beetlejuice, Spider-Man, and Avengers: Age of Ultron. The of-the-moment pop sound acknowledges in the lyrics that it had “been a while” since they’ve been on TV, but the bright and fun intro demonstrates that they are back to stay. And while the current Nick series ALVINNN!!! And the Chipmunks has been running since 2015, the longest-running and most popular was the ’80s iteration. Alvin and the Chipmunks (1983-1990)Īlvin, Simon, and Theodore have had several animated series since Ross Bagdasarian brought them to life in 1958. The Smurfs (1981-1989)Īpologies in advance: just by mentioning The Smurfs theme, it’s already stuck in your head. Starting off as both a parody and tribute to All in the Family with Lois and Peter at the piano, it evolves into a Broadway-style showstopper. That’s evident in the opening to his most famous creation, Family Guy. Somewhere in his insane heart, Seth MacFarlane is just a song and dance man. Family Guy (1999-are you kidding? It’s still going?) The original theme, “ A Cruel Angel’s Thesis” starts off like soft rock, then gets increasingly frenetic. A cryptic rumination on religion, depression, grief, and the possible futility of love that plays out against the seemingly hopeless series of battles of giant robots and their teen pilots against increasingly monstrous creatures that might in fact be angels, EVA (as its fans call it) is so incredibly popular that its creator has been doing a new rebooted edition for the past several years. If you’ll allow a personal digression, Neon Genesis Evangelion is this writer’s favorite anime, period. The jazzy theme is called “Tank!” and it invokes the two-fisted P.I. A kicky space noir, the show serves up deft characterization, swift action, and a knockout punch of a conclusion. Two-Mix also did the main song “White Reflection” for the wrap-up film, Mobile Suit Gundam Wing: Endless Waltz.Ĭowboy Bebop is frequently held up as one of the great anime series. The J-pop theme “Just Communication” by pop duo Two-Mix is by turns propulsive and introspective, which are the two dominant moods of the series. Gundam Wing is one of the series that stepped outside of the main Gundam continuity to tell its own story of rebellion and the cost of war. Mobile Suit Gundam Wing is part of the mighty Gundam franchise the giant robot pioneer hit screens in 1979 and is still going strong. (Uploaded to YouTube by crunchyrollcollection)
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